Tag Archives: sexual images

No sexual images, please – we’re atheists

In an earlier post at Talking Philosophy, which I linked to from my personal blog (Metamagician and the Hellfire Club), I asked readers the blunt question, “What is a sexual image?” Considerable discussion ensued on both sites, but no consensus emerged as to just what “a sexual image” actually is.

Accordingly, I am now struggling to understand what an ordinary person would understand by the expression “sexual images” in a provision that attempts to prohibit their display in a certain context. Perhaps it might convey something definite to a censorship board with an established body of decisions, and it might be possible to review what such boards and the like have decided, but its meaning is very unclear to an ordinary person. We don’t seem to be able to agree on what is a “sexual image” and what is not. So how about “Psyche and Pan” by Edward Burne-Jones? It appears to me to convey plenty of erotic charge, so if it’s not a “sexual image” I’d like to know why not. What does the expression convey to you, such that this Burne-Jones painting (and many others by the great pre-Raphaelite artists) is not a “sexual image”?

As some readers will know, Atheists America has recently promulgated a code of conduct for its conventions, setting down, among other things, the following definition of “harassment”:

Harassment includes offensive verbal comments related to gender, gender identity, sexual orientation, disability, physical appearance, body size, race, religion, sexual images in public spaces, deliberate intimidation, stalking, following, harassing photography or recording, sustained disruption of talks or other events, inappropriate physical contact, and unwelcome sexual attention.

This is dreadful drafting. It seems to say that harassment includes “offensive verbal comments relating to … sexual images in public places”. In that case, it is fine to have sexual images in public places, but no one must make offensive verbal (what other sort are there?) comments about them. Likewise it is fine to indulge in sustained disruption of talks or other events, but not to make offensive verbal comments about it if it happens. But I assume that any sensible tribunal would interpret the provision to mean something like this:

Harassment includes:

(1) offensive verbal comments related to gender, gender identity, sexual orientation, disability, physical appearance, body size, race, or religion; and

(2) sexual images in public spaces, deliberate intimidation, stalking, following, harassing photography or recording, sustained disruption of talks or other events, inappropriate physical contact, and unwelcome sexual attention.

That being the case, “sexual images in public spaces” constitute “harassment” under the code … and harassment is prohibited. Forget anything else in this strange code (e.g. it seems that “following” someone, perhaps a friend when you ask for directions and she cheerfully says, “Follow me!”, is defined as harassment). Today, let’s just focus on the prohibition of sexual images.

Why on earth would the mere public display of a low-impact sexual image such as “Psyche and Pan” be considered harassment (of whom, exactly – of anyone who sees it?). Is selling such an image at a convention, and displaying it for sale to likely purchasers, really a form of harassment? Who says so? How does this even remotely relate to the ordinary meaning of the word “harassment”, or even to expansive ideas of “sexual harassment” in employment law (where it is true that the pervasive display of relatively high-impact pornographic images, perhaps combined with other conduct, might make a workplace a hostile zone for some people)? The provision is so sweeping and unnuanced that I have to wonder what could be behind it. Perhaps it’s just a matter of people not thinking things through and realising how overbroad their drafting is, compared with whatever mischief they actually had in mind.

Now, it may be that American Atheists would have other reasons for not approving vendors that would display and sell, say, posters of pre-Raphaelite paintings. Perhaps it’s remote from their mission. But that seems like a reason why they don’t actually need such a provision. In any event, I can imagine circumstances where it might be completely appropriate to display such an image. What if it, or some other image with a similar erotic charge, is used on the cover of a book about the religious suppression of erotic art, or just about the philosophy of sex? And what if this book is on sale at the convention, perhaps with many others? These scenarios are not especially bizarre or unlikely. Books are sold at conventions all the time, and the cover art often has at least a low-grade sexual frisson.

I would have thought that an avowedly atheist organisation would lean strongly against the problematisation of erotic images, given that this is precisely one of the things that atheists object to from the religious and from religious moralities. I don’t know how often the issue would come up at an atheist convention, but it must surely happen from time to time. Even if it never happens in practice, it would be nice to know that an organisation such as American Atheists stands in favour of eros and against sexual prudery.

Thus, this provision is exactly the wrong one to include in a code of conduct, and I do hope that we don’t see other organisations with supposedly atheist or secular agendas going down such a path.

What is a sexual image?

I frequently encounter complaints that public spaces are being sexualised, filled with “sexual images”, and so on, as if this is a serious problem. My first thought is to wonder why the spaces where mammals like us interact publicly would not contain much sexual imagery, given our interest in sex, being sexually attractive to others, etc., but let that pass. A further thought is to wonder what even counts as a “sexual image”. How erotic or suggestive does an image have to be before we regard it as a “sexual” one?

In Freedom of Religion and the Secular State, I argue that (subject to countervailing values) it is legitimate for the state to regulate the public display of images that cause large proportions of the population high-impact offense. That might apply to hardcore pornographic images, but it applies equally to, say, graphic images of feces, medical procedures, and exit wounds.

Not all high-impact images are sexual and I doubt that all images that most of us would classify as “sexual” are high-impact (in the sense of causing ordinary people shock, psychological disturbance, nausea, and so on). When we’re talking about what images should be regulated in public spaces, you’d think that concepts such as “sexualisation” or just “sexual” would be almost irrelevant. These simply do not provide the test.

But perhaps that depends on what people mean by a “sexual image” – if it means certain kinds of images that are high-impact and which most of us would classify as pornography, then perhaps it’s fair enough to object to such images in public spaces. However, I never see images of that kind on, say, billboards.

Ever since I became sensitised to the issue some years ago, I’ve amused myself now and then by looking for such an image on the billboards, or in shop windows, of large cities that I visit – whether it’s Sydney (just down the road from where I live), New York City, or wherever. I have yet to see an image that meets at least my understanding of pornography. So presumably images of much lower impact (but with some erotic charge) are being objected to.

So, what counts as a “sexual image”? I’m going to offer some images that have undoubted sexual suggestiveness or erotic charge. In each case, I probably would therefore classify them as “sexual”, but that is not a pejorative term. I see nothing terribly wrong with any of these images (some may be kitsch, some may be open to some sort of political criticism for their possible messages, but I don’t think any are sufficiently egregious to keep out of public places).

First, consider this pic of tennis player Rafael Nadal, from a jeans advertisement.

Surely this contains plenty of erotic charge and I don’t need to elaborate on the composition, the way Nadal’s undoubtedly beautiful body is further idealised, or the significance of the jeans that are not quite on. Is this a sexual image?

How about Steve Pearson’s famous “Wings of Love?

This is often regarded as kitsch. Perhaps so, or perhaps that is just snobbery. I’m not so interested in the debate about its aesthetic characteristics, much as that might be interesting. I do want to ask whether it is a sexual image. If not, why not? It has plenty of erotic charge – surely it is, in part, a celebration of the erotic beauty (sometimes) of the human body, and of sexual love. The message is pretty clear, and the nude human figures are themselves erotically charged.

How about this Boris Vallejo image (a tame one by Vallejo’s standards)?

Again, I’m not interested so much in its aesthetics (you may consider it kitsch and unimpressively populist) or its politics (you may find a lurking message there – perhaps valorising some unfortunate view of women or of gender roles). I am not defending the aesthetic or political characteristics of any of these images. I simply want to know whether they count as sexual images or not, because I’m trying to get a handle on what that actually means. Surely this one is a sexual image, if not heading slightly in the direction of pornography? Right? I would not, however, think of it as the sort of high-impact image that it is the concern of the state to regulate under a strict application of the offense principle.

Finally, a bit of high art. Here is Titian’s Venus of Urbino.

I’m no art critic, so I won’t go into the composition or aesthetics of the image, though you are welcome to. My question, yet again, is whether this counts as a sexual image.

I imagine that, with a lot of research, we could find out how the expression “sexual image” has been understood by various censorship boards and similar authorities. But I’d like to see what a general educated audience thinks about the phrase. Do the images above count? And if not, what more would you require? Actual depiction of people having sex? Close ups of human genitals? Less emphasis on aesthetic qualities? Clearly all these images are heavily focused on visions of beauty, however unrealistic or even oppressive to people who think they need to live up to them; they are meant to give aesthetic pleasure, not merely sexual arousal, even if some aim at the latter as well.

Discuss away!